Bibliographies

GENDER, RACE, and CLASS & the ARTS/MEDIA

Byard, Jackie and Chad Dell. 1992. “Big Differences on the Small Screen: Race, Class, Gender, Feminine Beauty, and the Characters at Frank’s Place.” Pp. 191-209 in Women Making Meaning: New Feminist Directions in Communication., edited by Lana F. Rakow. New York: Routledge.

Cirksena, Kathryn and Lisa Cuklanz. 1992. “Male Is to Female As —– Is to ——: A Guided Tour of Five Feminist Frameworks for Communication Studies.” Pp. 18-44 in Women Making Meaning: New Feminist Directions in Communication, edited by Lana F. Rakow. New York: Routledge.

Clark, Hine Darlene. 1994. “Rape and the Inner Lives of Black Women in the Middle West: Preliminary Thoughts on the Culture of Dissemblance.” Pp. 342-347 in Unequal Sisters: A Multicultural Reader in U.S. Women’s History, edited by Vicki L. Ruiz and Ellen Carol DuBois. New York: Routledge.

Dines, Gail. 1995. “Class, Gender and Race in North American Media Studies.” Race, Gender & Class 3(1):97-112.

________and Jean M. Humez. 1995. “Preface: Goals and Assumptions of This Reader.” Pp. xvii-xxi in Gender, Race, and Class in Media: A Text Reader, edited by Gail Dines and Jean M. Humez. Thousand Oaks: CA: Sage Publications.

Houston, Marsha. 1992. “The Politics of Difference: Race, Class, and Women’s Communication.” Pp. 45-59 in Women  Making Meaning: New Feminist Directions in Communication, edited by Lana F. Rakow. New York: Routledge.

Gates Jr, Henry Louis. 1994. “Good-Bye, Columbus? Notes on the Culture of Criticism.” Pp. 203-217 in Multiculturalism: A Critical Reader, edited by David Theo Goldberg, Oxford, UK: Blackwell.

Gissendanner, Cindy Himes. 1996. “African American Women Olympians: The Impact of Race, Gender, and Class Ideologies, 1932-1968.” Research Quarterly for Sport and Exercise. Special Issue on Olympics, June 1996.

Hall, John R. 1992. “The Capital(s) of Cultures: A Nonoholistic Approach to Status Situations, Class, Gender, and Ethnicity.” Pp. 257-285 in Cultivating Differences: Symbolic Boundaries and the Making of Inequality, edited by M. Lamont and M. Fournier. Chicago: The University of Chicago Press.

Lippard, Lucy R. “Introduction: Mapping.” Pp. 3-17 in Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books, 1990.

Lipsitz, George. “The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs.” Pp. 71-107 in Private Screenings: Television and the Female Consumer,” edited by Lynn Spigel and Denise Mann. Minneapolis: University of Minnesota Press, 1992.

Martinez, Theresa A. “Popular Music in the Classroom: Teaching Race, Class, and Gender with Popular Culture. Teaching Sociology 22(3), 1994:260-265.

McCarthy, Cameron. “Reading the American Popular: Suburban Resentment and the Representation of the Inner City in Contemporary Film and T.V.” Race, Gender & Class 4(3) [Forthcoming] 1997.

Mullings, Leith. Race, Class, and Gender: Representations and Reality. Memphis, TN: Center for Research on Women, 1992.

Orduno, Sylvia M. “Race, Culture, Gender, and Class: A Personal Perspective.” California Sociologist 15(1-2, Winter/Summer, 1992):245-257.

Schlesinger, Yaffa. “Race, Sex, Class: Social Theory, Politics and the Arts.” Race, Sex & Class. 2(1), 1994:161-171.

Spears, George & Kasia Seydegart. Gender and Violence in the Mass Media. Family Violence Prevention Division Health, Canada.1993.

Yarbo, Yvonne Bejarano. “The Female Subject in Chicano Theater: Sexuality, “Race,” and Class.” Pp. 131-149 in  Performing Feminisms: Feminist Critical Theory and Theatre, edited by Sue Ellen Case. Baltimore, MD: The Johns Hopkins University Press, 1990.

Ziolkowski, Theodore. “Wagner’s Parsifal between Mystery and Mummery; or, Race, Class, and Gender in Bayreuth.” Pp. 261-286 in The Return of Thematic Criticism,” edited by Werner Sollors. Cambridge, MA: Harvard University Press, 1993.

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1960s POPULAR CULTURE, T.V., and POP MUSIC

(http://pers-www.wlv.ac.uk/~fa1871/bibpop.html)

Popular Culture (general)

Bigsby, C.W.E. (ed), Approaches to Popular Culture (London: Edward Arnold, 1976) [an early collection which includes theoretical sections as well as essays on TV comedy, the impact of the blues on European popular culture, and screen violence in Kubrick’s A Clockwork Orange].

Bracewell, Michael, England is Mine: Pop Life in Albion from Wilde to Goldie (London: Harper Collins, 1997) [a reading of C20th culture conducted through the figures, books, films, music and lifestyles which have come to be defined as pop culture].

Featherstone, Mike, Consumer Culture and Postmodernism (London: Sage, 1991).

Hebdige, Dick, Hiding in the Light: On Images and Things (London & New York: Routledge, 1988).

Loss, Archie, Pop Dreams: Music, Movies, and the Media in the 1960s (Fort Worth: Harcourt Brace, 1999) [a study that centres on US culture].

Melly, George, Revolt Into Style: The Pop Arts in Britain (London: Allen Lane, 1970) [700MEL].

Strinati, Dominic, An Introduction to Theories of Popular Culture (London & New York: Routledge, 1995).

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GENERAL REFERENCE WORKS

Best, James J. American popular illustration : a reference guide. Westport, Conn.: Greenwood Press, 1984. [Hol Ref NC975 .B45 1984]

Booth, Mark W. American popular music : a reference guide. Westport, Conn.: Greenwood Press, 1983. [Hol Ref ML102.P66 B65 1983]

Fishburn, Katherine. Women in popular culture : a reference guide. Westport, Conn.: Greenwood Press, 1982. [HQ1426 .F685 1982]

Geist, Christopher D., [et al.]. Directory of popular culture collections. Phoenix, AZ: Oryx Press,1989. [Hol Ref E169.1 .D54 1989]

Hoffmann, Frank W. American popular culture : a guide to the reference literature. Englewood, Colo.: Libraries Unlimited, 1995. [WSU-Vanc E169.1 .H56x 1995 copy ORDERED for WSU Holland Reference on 11-04-96]

Hoffmann, Frank W. and William G. Bailey. Arts & entertainment fads. New York: Haworth Press, 1990. [Hol Ref E161 .H63 1990]

Inge,M. Thomas, ed. Handbook of American popular culture., Westport, Conn.: Greenwood Press, 1978-1981. [E169.1 .H2643]

Inge, M. Thomas, ed. Handbook of American popular literature New York: Greenwood Press, 1988. [PS169.P64 H36x 1988]

Landrum, Larry N. American popular culture: a guide to information sources. Detroit, Mich.: Gale Research Co., 1982. [E169.1 .L35x]

Mussell, Kay. Women’s gothic and romantic fiction : a reference guide. Westport, Conn. : Greenwood Press, 1981. [Holland Ref PS374.W6 M8]

Stern, Jane. The encyclopedia of bad taste. New York, NY: HarperCollinsPublishers, 1990.[E169.12 .S834 1990]

Stern, Jane. Encyclopedia of pop culture. Jane & Michael Stern’s encyclopedia of pop culture: an A to Z guide of who’s who and what’s what, from aerobics and bubble gum to Valley of the dolls and Moon Unit Zappa. New York: HarperPerennial, 1992. [Hol Ref E169.12 .S835 1992]

Wertheim, Frank, ed. American popular culture: a historical bibliography. Santa Barbara, Calif.: ABC-Clio Information Services, 1984. [NX503.A1 A53x 1984] The Whole pop catalog / the Berkeley Pop Culture Project. New York : Avon Books, 1991.[Holland Ref E169.12 .W484 1991]

Wilmeth, Don B. The language of American popular entertainment : a glossary of argot, slang, and terminology. Westport, Conn. : Greenwood Press, 1981. [Holland Ref PN1579 .W5]

Wilmeth, Don B. Variety entertainment and outdoor amusements : a reference guide. Westport, Conn. : Greenwood Press, 1982. [Holland Ref GV1853.2 .W54 1982]

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POPULAR CULTURE (TV) http://pers-www.wlv.ac.uk/~fa1871/bibpop.html

Aldgate, Anthony, James Chapman and Arthur Marwick (eds), Windows on the Sixties: Exploring Key Texts of Media and Culture (London & New York: I.B. Tauris, 2000) [contains essays on film (This Sporting Life, A Hard Day’s Night, The Apartment, Seven Days in May), TV (The Avengers, Panorama), literature (the novels of Alison Lurie) and the Beatles’ Sgt Pepper album].

Carpenter, Humphrey, That Was Satire That Was: The Satire Boom of the 1960s (London: Victor Gollancz, 2000) [a detailed history of the characters and contexts behind Beyond the Fringe, The Establishment Club, Private Eye and That  Was the Week That Was].

Corner, John (ed), Popular Television in Britain: Studies in Cultural History (London: BFI, 1991) [essays on the popular genres between 1950 and 1965; 791.450941/POP].

Gitlin, Todd, The Whole World Is Watching: Mass Media in the Making and Unmaking of the New Left (Berkeley, L.A., London: University of California Press, 1980) [Analyses the ways in which the American media reported protest and dissent in a media-saturated decade].

Halloran, D., Philip Elliott and Graham Murdock, Demonstrations and Communication: A Case Study (Harmondsworth: Penguin, 1970) [An analysis of the anti-Vietnam march in London on 27th October 1968. Some discussion of 60s protest in Britain, but the emphasis is on the media ‘framing’ of the demonstration as a news ‘event’].

Laing, Stuart, Representations of Working-Class Life 1957-1964 (Basingstoke: Macmillan, 1986) [covers social context, film and TV, theatre and literature; 305.562/LAI].

McLuhan, Marshall, Understanding Media (London: Routledge and Kegan Paul, 1964).

Mellor, David Alan, and Laurent Gervereau (eds), The Sixties, Britain and France, 1962-1973: The Utopian Years  (London: Philip Wilson, 1997) [a large format lavishly illustrated book, foregrounds art, design, image and fashion, but contains interesting essays on music, youth, politics, the counter-culture, the new press, cinema, etc].

Miller, Toby, The Avengers (BFI Publishing, 1997).

Moore-Gilbert, Bart and John Seed (eds), Cultural Revolution? The Challenge of the Arts in the 1960s (London &  New York: Routledge, 1992) [Highly recommended; 700.103].

Spigel, Lynn, and Michael Curtin (eds), The Revolution Wasn’t Televised : Sixties Television and Social Conflict (London: Routledge, 1997).

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POPULAR & PROGRESSIVE MUSIC

Beatles, The Complete Beatles’ Lyrics (London: Omnibus Press, 1982).

Bennett, Tony, Simon Frith et al (eds), Rock and Popular Music: Politics, Policies, Institutions (London & New York: Routledge, 1993).

Bigsby, C.W.E. (ed), Approaches to Popular Culture (London: Edward Arnold, 1976) [an early collection which includes theoretical sections as well as essays on TV comedy, the impact of the blues on European popular culture, and screen violence in Kubrick’s A Clockwork Orange].

Bracewell, Michael, England is Mine: Pop Life in Albion from Wilde to Goldie (London: Harper Collins, 1997) [a reading of C20th culture conducted through the figures, books, films, music and lifestyles which have come to be defined as pop culture].

Clarke, Michael, The Politics of Pop Festivals (London: Junction Books, 1982).

Cloonan, Martin, Banned! Censorship of Popular Music in Britain, 1967-92 (Aldershot: Arena, 1996).

Derogatis, Jim, Kaleidoscope Eyes: Psychedelic Music from the 1960s to the 1990s (London: 4th Estate, 1996).

Dickstein, Morris, Gates of Eden: American Culture in the Sixties (New York: Basic Books 1977; repr. Harvard University Press, 1997) [973.92 DIC].

Faithfull, Marianne, with David Dalton, Faithfull (Harmondsworth: Penguin, 1995)

Fong-Torres, Ben (ed), The Rolling Stone Rock ‘n’ Roll Reader (New York: Bantam Books, 1974).

Frith, Simon, Sound Effects: Youth, Leisure, and the Politics of Rock ‘n’ Roll (London: Constable, 1983).

——— Performing Rites: Evaluating Popular Music (Oxford & New York: Oxford University Press, 1996).

——— and Howard Horne, Art Into Pop (London & New York: Routledge, 1989) [781.64 FRI].

Green, Jonathon, All Dressed Up: The Sixties and the Counterculture (London: Jonathan Cape, 1998) [A highly recommended account of the origins, practices and outcomes of the 60s counter-culture in Britain].

Henke, James, with Parke Puterbaugh (eds), with essays by Charles Perry and Barry Miles, I Want To TakeYou Higher:  The Psychedelic Era 1965-1969 (San Francisco: Chronicle Books, 1997) [a large-format lavishly illustrated ‘coffee-table’ book that is packed with images and comments on the creative ‘underground’ scenes in the USA and the UK].

Henderson, David, ’Scuse Me While I Kiss the Sky: The Life of Jimi Hendrix (New York: Bantam Books, 1981) [originally published as Jimi Hendrix: Voodoo Child of the Aquarian Age, in 1978, an impassioned and ‘creative’ biography with a lot of interesting quotations and extracts].

Hewitt, Paolo (ed) The Sharper Word: A Mod Anthology (London: Helter Skelter Publishing, 1999) [a collection of short extracts from and about the Mod phenomenon].

Inglis, Ian (ed), The Beatles, Popular Music and Society (London: Macmillan, 2000).

Kureishi, Hanif, ‘Eight Arms to Hold You’, in London Kills Me (London & Boston: Faber and Faber, 1991), pp. 81-94  (a slightly modified and illustrated version of this essay appeared under the title ‘Boys Like Us’ in The Weekend Guardian, November 2-3 1991, pp. 4-7).

———and Jon Savage (eds), The Faber Book of Pop (London: Faber and Faber, 1995) [an anthology of writing on pop music and culture 1942-1994, with generous sections on the 60s featuring articles, interviews and extracts from the likes  of Lennon, Hunter S. Thompson, Germaine Greer, George Melly, Andy Warhol, Nik Cohn, Angela Carter, Tom Wolfe, etc.]

Lee, C.P. (with photos by Paul Kelly), Like the Night: Bob Dylan and the Road to the Manchester Free Trade Hall   (London: Helter Skelter, 1998) [an account and analysis of Dylan’s 1966 acoustic/electric concert (where he was confronted  with the shout ‘Judas!’) which looks at the tensions between folk purists and the emerging rock scene while providing insights into music’s role and impact in the English provinces in the mid 60s].

MacDonald, Ian, Revolution in the Head: The Beatles’ Records and the Sixties (London: Pimlico, 1995) [Recent publication, some detailed discussion of songs with a good introduction (and a good preface in the updated edition of 1997);  782.42164].

Marcus, Greil, Mystery Train: Images of America in Rock ‘n’ Roll Music (Harmondsworth: Penguin, 1991).

———— Lipstick Traces: A Secret History of the Twentieth Century (London: Secker & Warburg, 1989) [the focus is mainly on the early C20th avant-garde, the Situationists, and punk, but it’s still a fascinating ‘alternative history’]

Meisel, Perry, The Cowboy and the Dandy: Crossing Over from Romanticism to Rock and Roll (New York and Oxford: Oxford University Press, 1999) [an analysis of the deconstruction of cultural and intellectual boundaries as a   practice central to literature and pop culture].

Melly, George, Revolt Into Style: The Pop Arts in Britain (London: Allen Lane, 1970) [700MEL].

Melechi, Antonio (ed), Psychedelia Britannica: Hallucinogenic Drugs in Britain (London: Turnaround, 1997) [a collection which includes essays on the history and psychology of psychedelics, psychedelic music and psychedelia into the  90s].

Mellor, David Alan, and Laurent Gervereau (eds), The Sixties, Britain and France, 1962-1973: The Utopian Years  (London: Philip Wilson, 1997) [a large format lavishly illustrated book, foregrounds art, design, image and fashion, but contains interesting essays on music, youth, politics, the counter-culture, the new press, cinema, etc].

Miles, Barry, Paul McCartney: Many Years From Now (London: Secker & Warburg, 1997) [good on music, the early London ‘scene’ and counter-culture].

Moore, Allan F., The Beatles: Sgt. Pepper’s Lonely Hearts Club Band (Cambridge and New York: Cambridge University Press, 1997) [an analysis of the album, its reception, and its legacy].

Murray, Charles Shaar, Crosstown Traffic: Jimi Hendrix and Post-War Pop (London: Faber and Faber, 1989).

——— ‘Street Fighting Man: Jimi the Radical’, Mojo 72 (November 1999), pp. 76-86 [both a synopsis and extension of the political analysis of Jimi Hendrix that appears in Crosstown Traffic].

O’Brien, Lucy, She Bop: The Definitive History of Women in Rock, Pop and Soul (Harmondsworth: Penguin, 1995).

Palacios, Julian, Lost in the Woods: Syd Barrett and the Pink Floyd (London & Basingstoke: Boxtree, 1998). [good on the early London and underground scenes].

Palmer, Tony, All You Need is Love: The Story of Popular Music (London: Futura, 1977).

Rawlings, Terry, and Keith Badman, Empire Made: The Handy Parka Pocket Guide to All Things Mod  (London: Complete Music, 1997).

Schaffner, Nicholas, Saucerful of Secrets: The Pink Floyd Odyssey (London: Sidgwick & Jackson, 1992) [good on the  early London scene].

Taylor, Derek, It Was Twenty Years Ago Today (London & New York: Bantam Press, 1987) [Mainly about The Beatles, but some good quotations and pictures].

Whitcomb, Ian, Rock Odyssey: A Chronicle of the Sixties (London: Hutchinson, 1983).

Whiteley, Sheila, The Space Between the Notes: Rock and the Counter-Culture (London and New York: Routledge, 1992).

——— (ed) Sexing the Groove: Popular Music and Gender (London & New York: Routledge, 1997).

Willis, Paul E., Profane Culture (London & Boston: Routledge & Kegan Paul, 1978) [a study of subcultural attitudes and practices, focusing on bikers and hippies, with extensive treatment of subjects such as social and political positions, values, music, drugs, style, creativity, etc;301.2209/WIL].

——— ‘Symbolism and Practice: A Theory for the Social Meaning of Pop Music’ (University of Birmingham: occasional paper, 1981).

Wolfe, Tom, The Electric Kool-Aid Acid Test (1968) [A journalisation/novelisation of Ken Kesey’s Merry Pranksters, theAcid Tests and the Grateful Dead; 814.3].

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